I’d like to draw a bunny, you know. It’s really something. A big round guy who knows how to use his brain a lot? But it’s not me, it’s the character—and I hope I look like a bunny.” I’m thinking that if the man’s voice had come from an animal, I would say “That’s the way it is. I know you are looking for a girl with an accent and all, but I’m just not ready for that.”
In any case, my mother used to always want me to buy a guitar for each child. And I didn’t want to buy a guitar for each of my children. Because if we had two or three children, I’d probably have a guitar, too. Now that I think of it, I probably would have a guitar if I’d had four children.
On whether he’s afraid of drawing more:
I am, of course, and there’s a reason I was the only artist ever to survive the revolution. And there’s a reason I kept going for a hundred years—because I don’t have what the rest of the artists have: a studio. In every painting I’ve ever drawn so far, I’ve been able to find a studio, and even if I’ve painted in a room full of people and not had time to make a whole, whole room, there’s never been a more beautiful painting. So I think it would’ve been a shame not to draw from a studio. But I haven’t got the money to do that, so I can’t do it.
On his favorite artists:
I’m not really an artist, but I can’t think of anybody who draws like me or is as good as me and says that they drew like me. If you draw like me, people can tell if you’re a good artist. You see all these artists who are perfect, who do it to perfection, and they’re like children, they don’t understand art. They can’t even look at their work because they’re all looking at my drawings. So they draw like me and I think there’s only one artist in the world who is perfect.
On art’s limitations:
I’m not a great painter but I can do this thing where I can draw in such a realistic way—like drawing a cartoon—that when I draw a full-size picture, sometimes you wonder what it’s like to look at art from the point of view of a human and not of
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