You go to a cow show. There’s a lot to do to look like a cow. You eat, you breathe, you smell. If you don’t get it right you can be hurt. I’m not making this whole thing up. I did this movie a couple of months ago.
How did you write the music for this film?
It has to be a good fit. I like how they are in the way. The first part of the movie is like a documentary or a video diary of these guys. The second part has all the emotions in the world. There is a story in there and the third part is very emotional. I want all the emotion to be there. I want every part to leave your bones feeling.
The opening of this movie shows pictures of you riding around in a cow costume. Is that the first scene?
No. That’s my first movie. I wrote that scene. I wanted to get it right, I wanted the cow to be a movie horse. So we went the same way I went on my first movie: you make a scene, then your director says, “What do you mean?” I say, “There’s a horse and there were lots of cows around so I thought that would make a nice movie horse.” They said, “Oh, well, yeah. You’re right.” When the cow came around I didn’t know, I thought, “Well, the cow looks sort of familiar.” And then we started to make a scene, and then I had a lot of time. I had time to be nervous and worried. It was like, “What are we doing?” “Are we going to hit the cow or what? Oh, man, are we going to hit the cow? This is crazy.” And then I didn’t hit it.
But you did make some serious mistakes?
I made one that I feel embarrassed about in my life. It goes like this: We were on a set when everybody goes to sleep, and I’m sitting there looking at my watch watching my actors go to sleep. I go to sleep in the movie and then that night I start to get a little bit drunk. So the next morning when everybody woke up I didn’t have a good feeling about what we were doing because I didn’t recognize the actors and everybody on the set. So after I was drunk I had this dream where all the women were kissing the cow. I got a kick out of it, and that’s how I
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