You’ll most likely have your first try of directing at the age of five, when I gave you a look at my hand at an age when I was beginning to understand how the world worked.
It takes only a few hours to put together a scene for a film, with your eyes first. But once you understand the basic structure of the scene, and understand what it’s for, you’ll be able to go ahead and put together a series of scenes and scenes that will ultimately build to something larger than simply showing what happens, a simple scene.
It’s always good to be in a position where you have no fear of your own stupidity, but in a very real way your ego will often put you in a position where you aren’t certain if someone is making a fool of itself, or not making it at all.
When you are directing a scene you are thinking to yourself: “How will I make this more fun in my head?”
As a director, you need to keep thinking “how will I make this more fun in my head?” and “how will I get a more interesting scene?”
There are two approaches to directing scenes. The first ones tend to be a very easy way to tell a story: showing some shots of action, and the character talking, and seeing where some action takes them. They come across as “a lot of fun on paper” but in real life they usually aren’t.
The idea behind the second approach is to make the scene more interesting using things like dialogue, and even how the hero reacts to it, if it happens to him.
The first method is about as “easy” to start off with as it sounds. You think about who it is you’re having a conversation with, what he’s trying to talk about, and how you can tell him something else.
The second approaches takes an idea and tries to use what you find interesting, and makes that interesting situation a “story” that has some relation to who you are and the world that you’re trying to create.
So in a scene like this we get into a situation where the hero doesn’t want to hurt anyone, so the scene is mostly a chance to show the hero saying “I don’t want to hurt anyone, and I don’t think you’re likely either” – even though we know it’s a silly thing to say to a hero.
Then the hero’s next attempt to be funny, comes to be as the guy
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