It’s the same as the producer in the old days. I mean, a producer in the old days was a director that was in charge of putting the film together. And they were a producer as in they had the producers, they had the producers’ assistants, they had the executives. And then they produced, so it was, you know, they had the money and they had the control of what went on in the film house. And to a large extent, they did it for very little.
Now, the reason that it’s important that studios stay in existence is the other thing you find out is, that as time goes on and you try to create new things and you try to experiment, they start to look more like a giant factory than a creative enterprise. A lot of the experimentation is done off the stage, you know, in the recording studio. And you can’t do an experiment off the stage. So what you want is a factory. You want this type of facility here where you can test and experiment and see if you like what you’re doing. Or there should be the idea that a studio can be a sort of laboratory of the entire creative enterprise of the country. You know?
There should be the idea that a studio is a laboratory of the entire creative enterprise of the country.
And so when a studio of studios has been established, it means that everything is controlled in one location. Everything is centralized in one central place. And if you don’t believe that’s a good idea, you should look at a place where you can have a producer as an executive. They control the studio, they do all the work for the actors, they do all the work for the technicians, for the directors, all the things that go on in the studio, in the sound track.
And then, I guess, like my other topic, they come down and they hire the actors. Like I said, you can have people that work in the studio, which has to be a very small studio. I mean, you can have the most expensive studio you can have. But in a small space. In a small space, it’s just a studio. It’s the most expensive place you can have and they do all the work, which is what an executive is doing.
Now, there is one other way of thinking about studios and how you keep them alive which is, you want to make sure that you’re keeping the best people. Right? You don’t want to bring in
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