I think the first stage is to take your story to where the audience wants to sit.
For me, it’s all about what they want to see. This can be anything from an action movie to a thriller. I’m constantly looking for the exact feeling that the audience wants to have. I don’t care about what I make; I don’t care about a box score—I just want something that is a pleasure to watch.
After the audience wants to move on, I’ve got to tell the story right in front of them and I don’t care if the story is cheesy and repetitive. What’s important to me is to tell a tale that you know will be interesting and will give them a lot of laughs.
What do you think is the most effective medium to tell a great story?
There’s a great example of someone who had to pull off a story about a girl who lost her baby. The way that she did it is amazing; you know how many directors don’t do that? They would just make it just a cute thing to show off, and there’s nothing funny about it.
How do you find the right balance between drama and comedy?
I don’t really have a particular approach, but I like the process of a story being either exciting or depressing. That’s a big part of it. I like when the audience enjoys the challenge of getting the story to where he/she wants it to be, or if the story has a dramatic ending.
In a really good action film, I don’t think you could shoot as many shots and have the same action. Sometimes it’s the right way to tell a story in a really dramatic way, but I don’t know how you can tell that kind of an action movie without it being overly emotional.
What about music?
Music can definitely play a role in a story, and so can a film’s special effects! I don’t think there are any wrong answers.
One of my films, “Gifted,” was entirely made up of music. In “The Legend of Bagger Vance,’ we did a lot of editing with a lot of shots. Music really gives a film the right energy.
If I’ve got a really fantastic score
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