There are a few ways of learning guitar. One method is just to learn the chord structure from the root (1) on the first chord. This will provide you with the foundation to improvising, but in fact, this will never be enough; if it was, then it would have been learned before you started doing it. The next method is to improvise on it while working on it, but then to go back to the idea that you tried on the previous chord. In fact, this is usually the best way of learning the guitar.
What makes a guitar “classical” in your mind?
A lot of people think of classical music as being about harmony. There are, however, certain chords that sound very much like harmony, such as C-G-A on the 6th. But I’m always surprised when people think that this is the real essence of the classical guitar music. There are other chords like the 5th, like the A-minor, and the b7, which are just as good as C-G-A. This is why I think that people tend to use the more “standard” chord structures because they’re familiar. But it’s easy to get stuck on one chord structure. One that you’ve heard all your life or one that you’ve heard in a certain rock band – which is the best one? It could be these two: 3rd and 5th are very similar on the maj7 (7), where they become very different on the minor7 (6). So there are lots of other chords that sound very different on different chords, in fact!
Did the 7th chord always become the most difficult to find?
To learn a new chord, you need to know a lot about the chord structure, as well as the general sound of a chord. If you know just the first two chords – C-G-A – then you will likely find it very easy to find that C-G-A sound. But if you study chords in sequence from A to E then that will give you a bigger picture. It’s quite common to discover the chords that are quite difficult to play but very important when it comes to a song.
In the case of the 7th chord which is known as “the best one”, how do you go about finding it?
In my experience this chord sounds amazing from the guitar or acoustic. In fact, when you’re playing it as an accompaniment to some other chords, and
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