You could argue that all drawing is both artistic and technical (though the term technically does not cover all drawings), and I think for the most part the argument remains valid.
But what this article intends to do is show two different ways to define draw, one in terms of a visual or artistic work, and the other in terms of a technical or mechanical process. Drawing is, I believe, more than a work of art. It is a process of perception, an activity we enjoy more than ever. Drawing is much more than a mere recreation of nature. Even more than a recreation of art, drawing is the embodiment and expression of our desires and emotions, as well as some of our most primal urges.
I do not claim that this definition is complete. It is based on the work done by the author on a wide assortment of drawing material, including many drawings that have never been published, but which illustrate the subject well, and which, again, are examples of the kind of drawing that is important to what we call “drawing.”
The other drawing is to draw a mechanical drawing. There are mechanical drawing methods, such as tracing, but these methods are relatively simple and not as useful for a true technical art. The main problem with mechanical drawing is that it is so difficult to perform well; a drawing that is mechanically drawn often requires a great deal of practice to learn, as well as a fairly significant amount of time to master. In other words, there is no such thing as a perfect mechanical drawing, but there is a large range of mechanical drawings that are reasonably good, and others which are not even good, let alone mediocre. There is also the possibility that some mechanical drawings may be technically acceptable, but they are still not good enough to be called “drawing”.
Of the drawing methods used here, mechanical drawings generally require much more practice and a great deal of knowledge about the material the drawing is made up of, whereas a true technical drawing can be executed in a relatively short amount of time. While one technique may be a good choice for some situations, that does not mean that another technique is wrong.
To conclude, I believe a drawing should have a lot of features of both the an artist’s experience and a technical drawing. While an artist’s experience must usually come from his/her life experience with the material, technical drawings are sometimes produced as a result of a technical process that has resulted in an artist’s perception of reality. I believe there is much value in both the
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