To understand this, we need to first look at the basic types of drawing we’ve seen. Drawing has several types of forms. Some are basic, such as drawing hands, faces, and lines. Others are more specific, such as drawing circles and lines and drawing paths. As we’ll see, there are different ways to draw in order to help us create a certain effect.
Here’s a more general example:
Let’s say we’ve done a basic sketching in ink with shapes and dots, and now we want to do a more detailed sketch with shapes and lines. It’s important to understand that shapes and lines aren’t necessarily the same. Some shapes are drawn much more realistically than others—for example, circles, circles and arcs. Other shapes, like curves, circles and arcs, are difficult to draw realistically.
However, these differences in their appearance do not require a major change in the way you draw. You can still use these basic shapes and lines with pencil, charcoal and other soft drawing materials, and even use your imagination.
Let’s say your mind has a general idea of where you want to make the sketches. You draw an arc on a chalkboard and think, “Ok, this is the shape I want, so I’ll fill in that.”
In a way, that’s the same as a drawing in pencil on paper and getting a precise idea of where to fill in the arc with a white pen. You don’t have to think about any specifics, such as the form, size or direction of the arc.
However, drawing a white line through a sketch of a circle takes a lot more work than a circle through a sketch of a line. It requires a lot more imagination and skill, and is very different from a sketch in pencil on paper and having the outline of an arc of two lines—one for the circle, and one for the line.
So to illustrate this point about “things change when they change”, let’s look at what happens when you switch from drawing with a sketch in pencil, to a sketch in charcoal:
There are a couple of big differences here, as illustrated in the diagram. The first is to what we are attempting to show: the details of the figure/face—the shape—but most importantly we’re trying to show the details in charcoal—the texture of the charcoal.
The second difference is much easier to explain. When we did our charcoal sketches, when we used a line,
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